SYNOPSIS
Luke Daly’s Women of the Middle Ages is a sweeping, popular history of medieval women’s lives that emphasises the everyday and under-studied classes – from nuns and beguines to beer-brewing alewives and peasant farmers. Daly (a medieval historian with degrees from UEA and a focus on English monasticism) rejects the notion that the Middle Ages were a static patriarchy by chronicling how women “broke free from [their] society’s accepted gender roles”. The result is a narrative-rich account that “challenges the narrative” of a male-dominated past.
Genre: Non-Fiction
Age Range: Adult
Star Rating: 4.0 stars
Publication Date: May 14, 2026
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OVERVIEW
Daly divides the book into thematic sections (religious life, nobility, labour, etc.) to survey women across the medieval spectrum. The first section focuses on religious women: nuns, anchoresses, and lay “mystics” (Beguines) who sought spiritual authority. As one early reader notes, Daly provides deep context “especially in understanding why women entered convents” with vivid examples like Catherine of Siena and Marie d’Oignies, whose extreme devotion and mystic visions earned them recognition. Beguines – lay religious communities – recur throughout; echoing scholarly accounts, Daly shows they formed “independent communities focused on love of Christ”, supporting themselves by teaching, weaving and other work. A U.S. Catholic article observes that Beguines were essentially “the first women’s movement in Christian history”, breaking traditional roles to live with “freedom, simplicity, hard work, and charity”. Daly highlights this autonomy: Beguines ran schools, hospitals, and workshops, yet remained outside the formal vows of convent life.
The second part shifts to noble and royal women, demonstrating how wives, mothers and even widows wielded power. Daly explores figures like Adela of Blois (countess and regent), showing “how women could still hold influence and power, even when it was technically limited”. Many chapters detail queens and aristocrats acting as regents or estate managers while men were away on crusades or war. In political and elite contexts, Daly revisits well-known figures such as Theodora and Eleanor of Aquitaine, framing them not as isolated exceptions but within broader systems of power and expectation. Daly stresses that aristocratic women often governed lands or brokered alliances via their roles as wives and mothers of kings and knights, reinforcing that medieval politics often depended on female stewardship.
The third section examines working women and commoners – a part many readers find the most eye-opening. Daly “completely challenges the idea that women only stayed at home” by describing peasants, artisans, traders and tavern keepers. Women tilled fields, spun wool, brewed beer and sold it in alehouses, and served as midwives. Daly’s treatment of childbirth is notably direct, presenting the risks and expectations faced by midwives with a level of honesty that underscores the physical realities of medieval life. He also profiles urban merchant women and guild members, as well as widows who ran workshops. In a chapter on Scandinavian society, Daly goes “beyond the cross” to explore Viking women. Here, he points out that Norse myth and law supported greater gender parity than in Christian Europe. For instance, runestones commemorate women as capable managers: one praises a woman (Odindisa) as “an unparalleled estate manager”, and another calls a girl (Astrid) “the most capable” in her region. Daly notes that Viking women could inherit land and even divorce – rights that would shock most contemporaries to the south.
Throughout, Daly weaves in vivid anecdotes from chronicles, letters and legal codes. Readers see, for example, Claire of Assisi founding a convent without royal patronage or a mulieres villanis (peasant woman) petitioning courts for her dower rights. This anecdotal style makes the narrative accessible. The book is carefully researched and clearly structured, with Daly drawing on a wide range of sources to support a coherent and persuasive interpretation of medieval womanhood. Daly’s writing is straightforward and lively, aimed at a general audience (the tone is often breezy and educational). In sum, Women of the Middle Ages provides a panoramic view of women’s experiences: it “sheds light on the everyday” roles of those “who made the medieval world turn”.
For readers seeking a deeper understanding of women’s lives in the Middle Ages, this stands as one of the most accessible and thoughtfully structured modern studies available.
CRITICAL EVALUATION
Contributions
Daly’s book is valuable for its inclusivity and storytelling. It highlights classes of women often ignored in popular histories – the tavern-keepers, textile workers, midwives, and mystic laywomen – rather than focusing solely on famous queens or saints. This broad scope is one of its greatest strengths. For example, his coverage of the Beguines showcases how lay spirituality gave women agency, echoing Caroline Walker Bynum’s findings on female mysticism. By tracing a narrative from cloisters to kitchens, Daly underscores that medieval women – even peasants – shaped society as fieldworkers, healers and entrepreneurs. His use of concrete examples is effective: Catherine of Siena’s sufferings and visions come alive, and the saga of a Norman noblewoman or an anchoress vividly illustrates broader themes. Historiographically, Daly aligns with modern scholarship in refuting the myth of total female passivity. He shows that even in patriarchal systems, women found room for authority – a point backed up by sources. In his Viking article, Daly remarks that Norse creation myths gave women an equal cosmic role, contextualising why Viking-age women could divorce and own land. Likewise, his pilgrimage research notes that medieval queens often had to “concede” in prayer requests, highlighting constraints even on the powerful. Including such complexities lends depth: Daly does not simply romanticise medieval womanhood but illustrates the balance of empowerment and restriction.
Moreover, the book is highly reader-friendly. Daly’s narrative style is clear, engaging, and consistently accessible, making complex ideas easy to follow. He avoids academic jargon and explains terms clearly (e.g., he defines “anchoress” or “chatelaine” for lay readers). Its organisation by theme rather than strict chronology helps general audiences grasp the material. A novice can dip into any chapter and come away with a clear picture of that topic. The tone is generally enthusiastic about the subject, which makes the dense information more digestible. Importantly for a general-volume survey, Daly provides citations and suggestions for further reading. Daly’s use of sources also allows readers to pursue topics further, offering clear pathways for deeper exploration where particular themes invite it. This scholarly apparatus (bibliography and notes) is a boon for history buffs wanting more, even if the text itself remains narrative. In all, Women of the Middle Ages makes a strong contribution by filling a niche: it collects a wide array of women’s stories under one cover and makes them accessible.
Limitations
At the same time, the book has drawbacks. Its ambition is its own challenge: by trying to cover nearly a millennium of history across Europe, each topic can feel compressed. Some sections read more like sketches than in-depth analyses. For instance, Daly mentions the Beguines and anchoresses but does not fully explore the theological debates around them (cf. scholarly works by Hesselink or Bynum). The political history chapters similarly introduce many figures without unpacking their conflicts in detail. This breadth-over-depth approach means readers don’t get fully contextualised arguments about why women’s status changed over time. Critics might note that Daly’s viewpoint is broadly optimistic: while he acknowledges that “women could only seemingly undertake pilgrimage through the approval of men”, he does not systematically analyse how Church doctrines and feudal law constrained women’s rights. The book lightly touches on restrictions – divorce is rare, most official power passes to men – but these limitations are not critically examined.
In terms of style, some readers may find the narrative repetitive. The structure (religion → nobility → labour, etc.) is logical, but within each section, Daly often follows a formula: describe a category of women, then give 2–3 illustrative examples. This can become episodic. For example, chapters on working women often follow a pattern (“first farming, then brewing, then childbirth”). Daly is clearly aware that much of medieval history was recorded by male contemporaries, often sidelining women’s voices. While he works effectively to counter this imbalance, the sheer number of anecdotes occasionally dilutes the force of a central, sustained thesis. Relatedly, the book is very Eurocentric. Aside from the Norse chapters, it mostly surveys Western Christendom (with some Gaelic and Norman examples). Women in the Islamic world or Eastern Europe, for example, are outside its scope. Finally, the absence of in-text footnotes means the reader cannot easily verify claims on the spot (only endnotes are available). Specialist readers may lament the lack of explicit engagement with the latest academic debates.
Despite these issues, Women of the Middle Ages largely succeeds in its goal: to present a broad, balanced portrait of medieval women’s lives. Daly’s background in monastic and pilgrimage studies shows through, as he repeatedly balances stories of female initiative with evidence of patriarchal limits (for example, noting how even devout queens needed papal dispensation to visit cloisters). While not a substitute for detailed scholarly monographs, this book’s strengths in storytelling, research thoroughness, and range make it a valuable addition to public-facing history.
BOOK REVIEW METER
Overall Score
4.0/5
A strongly recommended, well-researched introduction to medieval women’s history, ideal for history enthusiasts and general readers alike.
AUTHOR: Luke Daly
Luke Daly is a medieval historian of the 12th and 13th centuries, with a particular focus on English monasticism. Holding a bachelor’s degree and a distinction master’s degree in medieval history from the University of East Anglia, he is undertaking research into the financial records of Canterbury Cathedral to shed new light on Christian monastic life in England between 1200 and 1300. His work has attracted the attention of the Pipe Roll Society, which has agreed to publish his findings upon completion.
He is also a prolific author, best known for Women of the Middle Ages and Medieval Saints and their Sins, alongside other titles, including Medieval Latin: A Beginner’s Self-Taught Guide (self-published in November 2021 via Amazon Kindle Direct Publishing). In 2025, he was listed in BBC HistoryExtra’s “30 Under 30” for his work in the field. Beyond print, Daly hosts The Daly Medieval Podcast, available on platforms including YouTube and Spotify, where he shares historical narratives and interviews historians, authors, and other specialists.
LICENSE & COPYRIGHT
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Luciano Anastasi
Luciano is the founder of the MedievalHistory platform and the LinkedIn History Enthusiasts Group, where he is dedicated to curating and sharing high-quality medieval history content. His goal is to engage scholars, teachers, students, and enthusiasts by fostering insightful discussions and promoting scholarly resources on topics from medieval warfare and religion to societal transformations and daily life in the Middle Ages.
Luciano is also an active book reviewer, focusing on academic publications related to medieval history. He recently collaborated with Yale University Press to review forthcoming medieval history titles, aiming to deepen educators' and researchers' understanding of the period. Alongside his history endeavors, he has over 40 years of experience in IT leadership roles across various industries, including the public sector, banking, insurance, airlines and consulting, and has contributed to United Nations projects.
With a Master of Arts in Business Process Management, Luciano combines his expertise in IT strategy and governance with his passion for medieval history. He leverages technology to bridge the academic community and the wider public, making historical scholarship more accessible through engaging online content.












